Three Novels of New York: The House of Mirth, The Custom of the Country, The Age of Innocence (Penguin Classics Deluxe Edition)

Three Novels of New York: The House of Mirth, The Custom of the Country, The Age of Innocence (Penguin Classics Deluxe Edition)

Edith Wharton

Language: English

Pages: 784

ISBN: 0143106554

Format: PDF / Kindle (mobi) / ePub

For the 150th anniversary of Edith Wharton's birth: her three greatest novels in a couture-inspired deluxe edition featuring a new introduction by Jonathan Franzen.

Born into a distinguished New York family, Edith Wharton chronicled the lives of the wealthy, the well born, and the nouveau riches in fiction that often hinges on the collision of personal passion and social convention. This volume brings together her best-loved novels, all set in New York.
The House of Mirth is the story of Lily Bart, who needs a rich husband but refuses to marry without both love and money. The Custom of the Country follows the marriages and affairs of Undine Spragg, who is as vain, spoiled, and selfish as she is irresistibly fascinating. The Pulitzer Prize-winning The Age of Innocence concerns the passionate bond that develops between the newly engaged Newland Archer and his finacée's cousin, the Countess Olenska, new to New York and newly divorced.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.


















business—that’s a go too? I leave it to you to settle the date.” The nod and laugh they exchanged seemed to hint at depths of collusion from which Ralph was pointedly excluded; and he wondered how large a programme of pleasure they had already had time to sketch out. He disliked the idea of Undine’s being too frequently seen with Van Degen, whose Parisian reputation was not fortified by the connections that propped it up in New York; but he did not want to interfere with her pleasure, and he was

when it came to business. He was interested in a big “deal” which involved the purchase of a piece of real estate held by a number of wrangling heirs. The real-estate broker with whom Ralph Marvell was associated represented these heirs, but Moffatt had his reasons for not approaching him directly. And he didn’t want to go to Marvell with a “business proposition”—it would be better to be thrown with him socially, as if by accident. It was with that object that Moffatt had just appealed to Mr.

“What do you do while May is away?” “I stick to my work,” he answered, faintly annoyed by the question. In obedience to a long-established habit, the Wellands had left the previous week for St. Augustine, where, out of regard for the supposed susceptibility of Mr. Welland’s bronchial tubes, they always spent the latter part of the winter. Mr. Welland was a mild and silent man, with no opinions but with many habits. With these habits none might interfere; and one of them demanded that his wife

Percy Gryce, and managed it all, and Grace Van Osburgh is in the seventh heaven—she had almost despaired of marrying Evie.” Mrs. Peniston again paused, but this time her scrutiny addressed itself, not to the furniture, but to her niece. “Cornelia Van Alstyne was so surprised: she had heard that you were to marry young Gryce. She saw the Wetheralls just after they had stopped with you at Bellomont, and Alice Wetherall was quite sure there was an engagement. She said that when Mr. Gryce left

drop of cognac in a little fizzy water—you do look pinched, you know: I swear the end of your nose is red. I’ll take another glass to keep you company—Judy?—Why, you see, Judy’s got a devil of a headache—quite knocked out with it, poor thing—she asked me to explain—make it all right, you know—Do come up to the fire, though; you look deadbeat, really. Now do let me make you comfortable, there’s a good girl.” He had taken her hand, half-banteringly, and was drawing her toward a low seat by the

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