The Raven: Tales and Poems (Penguin Horror)

The Raven: Tales and Poems (Penguin Horror)

Edgar Allan Poe

Language: English

Pages: 352

ISBN: 0143122363

Format: PDF / Kindle (mobi) / ePub


A new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro
 
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro’s favorites, from Mary Shelley’s Frankenstein and Ray Russell’s short story “Sardonicus,” considered by Stephen King to be “perhaps the finest example of the modern Gothic ever written,” to Shirley Jackson’s The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.

The Raven

The Raven: Tales and Poems is a landmark new anthology of Poe’s work, which defied convention, shocked readers, and confounded critics. This selection of Poe’s writings demonstrates the astonishing power and imagination with which he probed the darkest corners of the human mind. “The Fall of the House of Usher” describes the final hours of a family tormented by tragedy and the legacy of the past. In “The Tell Tale Heart,” a murderer's insane delusions threaten to betray him, while stories such as “The Pit and the Pendulum” and “The Cask of Amontillado” explore extreme states of decadence, fear and hate. The title narrative poem, maybe Poe’s most famous work, follows a man’s terrifying descent into madness after the loss of a lover.

 

 

 

 

 

 

 

 

 

 

 

 

 

the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river’s oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long and ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the

the black, and the wild eyes—of my lost love—of the lady—of the LADY LIGEIA!” THE FALL OF THE HOUSE OF USHER Son cœur est un luth suspendu; Sitôt qu’on le touche il résonne. DE BÉRANGER uring the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the

asserting over and over again the presence of the house as a sentient, physical, spiritual entity of evil. As an extension of the loneliness prefigured in Poe, Jackson continually speaks of that condition in most of her fiction. Hill House can only hold the truly lonely souls, reclaim them, invite them to belong. The symbiosis, the abandon that is needed for the house to possess the novel’s heroine, Eleanor Vance, is a game changer—a tacit agreement that will be cashed in the final pages of

with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince’s person; and, while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had

found in a compartment wall, not very thick, which stood about the middle of the house, and against which had rested the head of my bed. The plastering had here, in great measure, resisted the action of the fire—a fact which I attributed to its having been recently spread. About this wall a dense crowd were collected, and many persons seemed to be examining a particular portion of it with very minute and eager attention. The words “strange!” “singular!” and other similar expressions, excited my

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